7 January 2019; Electra’s dictionary; sketching out the concepts to explain the indie project

It is such a surprise when someone from my staff tells me that Eliot is at the door

I’d gone out walking earlier and then it became so cold out that I turned and came home intending to write but then Eliot drops by unexpected

I’ve not heard from him in months.... not since Nigel and I....

He walks in as if he was only here yesterday and kisses me hello

“So, have you been avoiding me?” he asks

He sits down without waiting for an invitation and when Iyla comes over asking if we want coffee, Eliot says,
“Yes.”

Should I still be surprised at his presumptuous actions?

I don’t sit. I go over to the window and look out

“Don’t worry, I’m not a spy for Nigel,” he says

I don’t believe him though

“So.... what brings you here?”

“Well, I was wondering if you had been giving any thought lately about the film....“

I study him

I have such a hard time taking him seriously. The fact is: I don’t actually like his style of film making. It actually irritates me.... so, how do I tell him ‘no thank you’ ?

At this Jörn calls me .... I recognize his ring so I go over to my bag that is laying by the sofa.

“Jörn?” I answer the call

“Come meet me here....” he says in that voice

“You mean at Lincoln Center?”

I hear him laugh,
“no, I mean the Taj Mahal—where else, min lilla duva?”

“What time?” I ask and feel Eliot watching me. I turn my back

“I’ll give you time to get ready and send a car for you around seven, how is that?”

After I hang up with him I look at Eliot as Iyla brings the coffee

“Sorry, what were you saying?” I ask him now because I find myself a bit thrown off. It seems to be Jörn’s way with me, I seem to forget whatever I am doing

Eliot stares at me and it starts to make me uncomfortable

“Who was that?” Eliot asks me, “I know it wasn’t Chris—because you never look like that when.... wait—it’s the bloke from the lobby, isn’t it?”

“‘Bloke’?” I ask

“The big Swede from that day....”

“Why would you say that?” I ask him

Eliot just watches me,
“it was that look you had that day.... it was something—weird about that—and you have the same look now.”

“What look?”

He shrugs,
“like .... you just saw a ghost —rather sort of spooky—he’s kind of —not quite.... there was something berserker about him; sort of daft—it’s him isn’t it? Are you seeing your neighbor now? Isn’t that like incest? Or fraternization?”

“What?!” ....because I don’t know what else to say.... it’s not his business! And I do not need him to go tell Nigel....

“No! Don’t tell me, you are!” he starts laughing, “it’s written all over you....”

“What is? What are you even talking about?”

I drink coffee and don’t bother answering him in any more detail

“So why are you going to Lincoln Center?” he asks me

I shrug,
“oh just to go to a concert.”

“Since when are you into chamber music?”

“You didn’t think I liked classical music?” I ask

“Well, to actually go to a concert—but I am pretty sure there’re not doing one —aren’t they in rehearsals?”

“How would you know that?” I ask him

“I actually overheard a conversation on the way over on the train —what is it, Scheherazade?”

Eliot is an actor. I often forget this. Not really a good actor. So, why does he always fool me?

I start to think now about what this is about so finally I say,
“you saw me with him, didn’t you?” because I remember one day I thought I saw Eliot across the street when Jørn and I were leaving the building together but then I forgot all about it

“Well—yes....”

“It was that day—“ and remember it now as the evening of the first concert with him. So I look directly at him, “did Nigel put you up to this?”

“You did block him on your phone....” is all Eliot says to that with a shrug

I feel angry

I try not to say something. I tell myself that nothing I say will be good and the consequences even less good. I just breath hard because I feel like a dragon ready to spit fire at him

Finally I think of something to say,
“Are you spying for him now? Is this about your silly little film or about Nigel?”

“I was here for selfish reasons actually—was hoping you were not actually shagging the Swede so that I might have another go with you!” and he actually laughs

Why do I keep him around? I always thought he was comic relief but right now it feels more like he’s inspiration for target practice

“Look, I’m sorry, that was rude of me,” he stands up, “do you want me to go?”

“I don’t know....” I say and sigh sadly shaking my head, “because I don’t really know what to make of you and I never have. I am so used to people leeching on me that I don’t even notice it happening ....you want something.... of course you do; everybody always wants something from me.... it’s plain; obvious, I mean, isn’t that what was always behind your interest in me?”

“Probably—at first; but I always thought you were cute,” he shrugs, “and I’ve never had an original idea in my life so I thought I could use your ....story because—of our family connection....”

I sigh heavily. No, this does not surprise me.... I finish the coffee,
“I need to get ready so, why don’t you go now? Not to be rude —but I will say this: I will think about the film idea but only because you’ve admitted you don’t have the ability of an original thought—because maybe you can leave the thinking to me. Only the real problem is, I don’t know if I can trust you so— I need to think and —right now get ready for the symphony, all right?”