21 June 2023

Electra’s dictionary and film noir(jmmusechronCont)/ of spies like us

Spy in the house of love

“So is it like I am under house arrest?” I ask from the deep plum couch that has sucked me under its spell 

He stands by the window in silhouette watching the water, and in the evening light I see how the gold still shimmers in his hair 

“Hmm….” he is lost in thought. Slowly he seems to drag himself to the present as he turns to look at me

There….it always causes such a stir both in my mind and ….within that place they call the solar plexus….it had been so long since I saw him until now….I forgot what this does to me. What he does to me. I once read somewhere that if someone makes you feel this way ….the butterflies and sweaty palms ….to run. To get away. That this person is wrong for you. It was Cosmopolitan magazine. Some article ….and there was a quiz involved, I think 

I don’t want to feel this way. 

I look away. I get up and walk around. I want to vomit. 

How does he show up in my life as he pleases?

“No, you are not under arrest,” he finally says 

He looks at me closely but I am not looking back at him. but…I feel his kryptonite 

10 June 2023

Electra’s dictionary and film noir/the fence


I feel his eyes upon me as I watch the water from the flat. I have been so long lost in thought. And lost. Jörn walks over to me 

He turns me to him and takes my face into his hands and holds me there to look at me,

“where have you been?” he asks me

“I have been lost,” I say to him looking up at him; and his hands as he holds me there ….holds me…. as if …. together; he holds me together ….I half want to burst like a glass Christmas ball into a thousand tiny pieces in his hands

His eyes look with their purity of the unforgiving kryptonite that always demands truth and sincerity ….even as they do not always deliver the same in kind 

And here is the crux of it all —what is there at all in life if it is not real ….

I say to him,

“I have to confess a terrible truth I’ve discovered lately, and that is,I don’t care what happens to me, so, tell me—why do you?”


only he does not answer, instead he does something that almost embarrasses me ….he bends down and kneels at my feet, he removes the shoes I wear carefully one by one; each buckle he undoes carefully as if I am made of glass. Then he kisses my feet; first the left one and then the right one. 

And it is because,you see, I feel so broken inside…. so empty of having felt much kindness for so long from anyone that I don’t know how to feel any more so that it is easier to block what this does to me ….that it moves me because —it scares me. Then he stands up and returns to holding my face, but I drop my eyes,


“no, look at me, duva, you are precious to me, do not ever doubt it,” and then lifts me. He brings me to where he has drawn a bath and he says now to me, “let me wash you,” he puts me down by the now full tub and shuts it off, “I want to heal you….”


****





There is an unexpected wilderness, a strangely kind of otherworldly beautiful patch of land on the southern fringe of Delaware where the line meets Maryland; Strawberry Lane 


There is this beautiful old dead tree that is sadly graceful which I find myself inspired to sit under



“my dad named the road,” he tells me 


I am on the fence between the worlds and I don’t know how I came to be here on this road. Some goes to the north and to the east and another west. Each time what i think I find I can believe

 seems to, I find, 

turns to be, 

is more delusion


*^*


I do not regret having depth capacity for emotion or I’d not be an artist, but I regret those who were incapable of sustaining by their own personal defeats 

****

And with my eyes closed I lay in the bath and I hear him say,

“you are my muse,” he says before he goes 

It is only moments later when I hear the opening notes of “the dove in flight”







21 May 2023

JMMuse Noir (Ed)continues

And as I stare up so wistfully at that tiny phantom of a helicopter speck that is not even there


I hear Jörn make the oddest—and yet—familiar sound. Like an apologetic cough before,

jag är ledsen, duva….”

I do turn my head quick —but!lights out!! All goes dark like dreamless sleep 

….was there a prick, a jab?I don’t know ….

03 May 2023

Electra’s dictionary & film noir/jmmusechron;Purpose refrain

 



I have become so rather lost in thoughts. I have digressed so many times. 

as things keep interrupting my thoughts—yes, 


so I forget where threads got left hanging there


can you imagine a thought like that?yes, that is what this sort of open-knot-work has become


;some spider who gets interrupted 

and all the weave 


is fraying 


and the spider is left hanging 


I wonder if this is the lesson after all —the net cannot hold the trapeze artist. 

Only some of you will get that. 



Or caught in her own weave?

I don’t know…. 

so, it seems I get so rather lost in my thoughts on some dusty road whilst running away from constant surveillance;the suspicious eyes of a retired agent …. and only want to get


Lost ….


But actually do


and even my phone seems to be caught in Bermuda’s Triangle; a tiny wheel inside it mocks me as it spins for several long minutes where google maps is claiming to be   



so get out of the car and look around realizing there is nothing around.

but does it really matter.

I half think I purposely got myself lost here so as 

….I’d not have to go back.ever.but now it is quite terrifying to realize no one will look for me.or know I was here.or came here.or care.

Those moments when you evaluate your life. And yourself.sometimes I wonder how it felt for Moses coming down from the mountain 


There is a random old log sitting on the dusty dirt road and so I sit down on it and try and clear my thoughts. 

What have I gained from all this exploration ….have I learned?


Yes.actually. And documented it all here in code. 


And had I ever tried to go mainstream in the past it would have been a waste of time, and I always knew this but then —I guess I believe the world wasn’t ready for anything I had to say. But that was true for Socrates. But he was Socrates. But how would anyone have known of him had he never tried to argue? But he was Socrates. 


this is the debate team in my head.and so I do actually feel about to fall apart there right in the middle of that depressing dirt road when out of nowhere I hear the loudest helicopter overhead and ….speaking of spiders ….something drops down very much like one —with golden hair


“Duva—I know you said you want no part of our schemes—“ as if he was just returning from the shops, hardly taking a breath 


“I —never—actually ….said that….” I stare at him 


And then look up as I see the helicopter from the hover just suddenly takes off 


I look up at Jörn and then at the car,

“uhhh—I’m lost and I’m having car issues so….” I look back up at the now long gone helicopter 




27 March 2023

penthouse reflections e.d.


I realize now that he was lying to me even further back

it is later and I am back at the penthouse.I pace the bedroom  like a mad woman ….like a mad woman ….disappearing photos…. yes, mad woman, indeed—who used to say that—those old Greek choruses never shut up….Paris was a lie too I guess, and this new shock —I feel so sick ….I go to the window and —think ….

then realize the view from his kitchen is right where I’m standing ….

    and he is watching me….what is it then?— either let me go or come clean ….I want to tear through all the false promises with just one scrap of proof that ….

any of it was real ….to think he just wanted to play me for a fool makes me 

I draw the drape in one raging move and turn my back to it

how can I ever think I actually meant anything to him if he could be so duplicitous with zero qualms for all his disregard toward me —so I rage at the walls for awhile ….and stomp across the bedroom looking up at the walls feeling as if I am thoroughly trapped by them

and want to run.but where. and so tired of running.

Noir smörgås varm röra/orrefors Crystal clear (jmmusechroncont)

 

I look straight at Josef as I come back —he sits at the head of the table. A bit breathless. Then I notice that his sleeve is caught on the edge of the table —as though he just heedlessly rushed to his seat 

I glance at Elsa 

  who similarly ….is sat with part of her skirt oddly twisted beneath her, trapping her legs 

but it is Andreas of whom— what is he doing?

I walk over to him by the tall console table as he has his back turned so awkwardly as though he—

“Do you need help?” I go around to look at his pose from another side 

“Oh my god!” I exclaim as I see he has a tall Orrefors crystal vase cradled precariously in his arms as if—he just accidentally  ran into the table recklessly 

I catch the vase. glance as Elsa. She looks away quick but—I see the gasp of relief she tries to hide 

I pretend not to pay any mind but I do look at Josef with his caught sleeve pointedly and decide to help him. He sheepishly smiles up at me,

“tack, kära du,” he pats my hand affectionately mustering a show of composure and a glance at Elsa 

I walk over to her next as she is actually now sat at the other head of the table and as I walk towards her I look at Josef as I go,

“so, explain the purpose for Jörn to marry me. Is it the citizenship or is it the property legal clause on the Swedish opera house?”

“Svenska operahuset,” I hear Elsa whisper to herself 

“Well before—“Josef starts to say 

but at the very exact moment Andreas says,

“Both.”

Andreas’ voice is louder 

Andreas my ally. I look at him. But at that moment I hear a tap on another door behind me. This one leads out to the corridor to the bedrooms, but it is usually open, like now. So the tap cones loud on the panel of the open door. I turn to see Hanna 

“If pappa marries you, it allows him more freedom with his work in your country and—affords some extras for friendly family members; if you know what I mean,” she winks at me

Trust kids for honesty at awkward moments ….as I see Erik is sneaking out behind her 

I groan,

“smörgås varm röra,” and sit down next to Elsa as I take a moment to think ….they seem to be watching me

After a second to reflect, I get up and walk around as I think 

“I marry him—“ I point to Jörn, “you benefit because then you keep the opera house,” I say and walk to the window, “so—how does that benefit Jörn? ….diplomatic immunity?”

“It’s ….” Jörn starts to walk over to me shaking his head, “it’s more ….complicated ….”

Josef clears his throat. It a signal throat clear. Warning?

I glance at Josef 

“If I’m going to be in this family I think I deserve some ….explanation—is it work—his platinum brand —corporation? Taxes? Or is it just the usual of surpassing the visa/green card dilemma?” But no…. there’s the obvious again, 

I spin around to Josef,

“Of course! If Jörn marries me—then you as —director— are free to ….” it all dawns 

I glance at Elsa but she glances at Jörn who then shoots an angry look at his pappa ….

Jörn turns to me,

“duva….he’s my cover”

24 March 2023

scene steal

 but then I stop to look into his face. That face I know….I stare …..and run my fingers over his cheekbones …. and oh I think as I stare into such lovely vampire eyes….

this face of his….I know every line and crease ….as if I put it all there myself ….

and want to say—I need you back, that you I knew, but—maybe I don’t say that….i feel the weight of life instead and walk to the door,

“let’s not keep them waiting.”

“Duva—they are trying to arrange our marriage,” he says with an arched brow

I sigh,

“it’s just an arrangement.and…. guess what?—it offers me protection. I don’t care about the sex.”

Scene/e.d. noir

I walk and pace, then stay by the window as I think of what he said…. the deceptions were not intended for me ….but I receive the fall-out don’t I —with no bother of explanation nor —mention of any importance. for everything

I say to him,

“it seemed you actually were the first person who bothered to see me,” and the sad realization renews. That sense of ….but I shut out the thought. Instead I say,

“why did you stop looking?”

20 March 2023

Jörn’s side

 

“Duva—don’t say that,” he says now to me as he stands up slowly as if with the weight of the world on his shoulders

“What?” I ask

“I have not lied to you,” he says somberly 

I consider his ….demeanor 

and for a moment I am rather taken aback by something I had not seen before,

“Jörn —to omit a truth ….or a white lie ….but I won’t play judge—but, you see…. I am only —reacting from what has happened and —what maybe is truth?—ok, I know that I don’t know everything ….the whys and the wherefore’s …..but—I think you know what I mean. Don’t pretend.”

He sighs heavily,

“can I ask you then to—wait before you draw all your conclusions ….what ever you might call what you call lies —were never placed in efforts to particularly deceive you; that was not ever the objective.”


musings/(jmmusechronCont)&e.d

 


I turn to look at him from the window with my arms folded,


“I think it is that I embody your emotion. You put me in a box with your emotions. You step away. You then pretend not to feel or care and you behave as badly as you please. 


the worst thing anyone can do though, I am afraid to say, but it is to make me believe I am taken for granted because there I cannot exist nor breathe so, I am resilient; and have self-respect and therefore I am quite tough….” on the outside to protect what nobody has come near and that is why there is the boomerang effect with the barbed wire and chains….because they believed they got so close to finding that very thing  …. which ….I’ve never ever given away to anyone 

in this lifetime

“but, if you cannot be truthful to me, the last thing in my life that I’d need is a liar and I can see right through you. How could you do that to me—I’m ….disappointed—I guess I ….must revise….”

19 March 2023

 


I think I shall have to grow bored of you so that I don’t have to ….feel this kind of pain with you ….I don’t think you value my sincerity and ….” I push him with a jab so he falls onto the bed and I walk to the window to look out before I say, 


“and— I think for me, ethically, that has to be a problem, because you have decided to only see me as one of many other ‘things’ and —by doing that —tarnished my ….”


but I stop because I run myself into split and splinters of which side to see it from

“because if I am bored, then I won’t care—like you don’t.”


 


“No wait— “ I say, stopping Elsa and Josef and even Andreas as I ask them to let me speak to Jörn alone 


….because it has all suddenly caught up with me and ….


I even pull Jörn back to his bedroom to speak my mind 


16 March 2023

e.d.noir/jmmuse; voyage pilgrimage; Voyeur


And as I stand there in Jörn’s kitchen watching him do the carafe …. but I am somewhere else 


I think about —and turn to look out the window of his kitchen ….and….I just noticed this …. At this angle from his kitchen window ….and how the sun is in the morning coming from the north almost like the dream memory and get a chill; but no….


you can see directly into the penthouse bedroom ….


my bedroom 


I swiftly turn to look at him now


“So, you need to marry an American?” I say this but all the while I am calculating new information ….I keep a poker face as good as anyone…. why should I let on information —does he? 


“Well….” awkward now with the plunger —no, he is pretending; what.a.faker. “that’s Mama—“ he shrugs with a half searching glance at me but covered up with a laugh. Forced.


I get up real close to him. 


I put my hand on the plunger 


as I lean up against his hip and look up into his eyes ….veiled kryptonite as deadly as a barbarian but I say,


“it is that, isn’t it? A war crime….” I have my hand over his but I move it. I lightly use my fingertips to run up his arm but stop when I get to his hip level and grab another plunger 


“Who did you fuck with this?” I ask him 


He takes my hand,

“it was a case,” he says this steadily 


“That you fucked up,” I say ….because my mind rewinds to the time frame of these events. His odd behavior toward me. I look up at him, “fucking liar!”


“Duva, it has nothing to do with us—“


Shit. 


Again. 

Like a tick. 

I do it again without realizing. 

Slap.across his face.


“How did your mother put it? ‘Sleeping under a metal curtain,’ that was brilliant, because now I get it!”


“It was sheer ignorance because she never gets the phrases right.”


“It was brilliant.” I say this as I think but I say, “so what happened? Was your cover to fuck her? Did you enjoy it? Was it drudgery work, oh, poor you? Were you getting out secrets tying her up—or him?—was it a him or a her?—or a them or—whatever….I really don’t care except for the fact that you acted so innocent to me and ….no, it’s not that it’s ….I think you got scared. The loss of control. And this job; this case—you lost your head, and I’ve always thought you had anger issues ….did they push you and you went too far—“


“Ahem!”


I jump


There is Elsa by the kitchen entree-way 


“How is that coffee coming along?” she asks as she glances at first me and then Jörn ….and I swear, I don’t think she misses anything 


She walks right over to us


By now my hand has safely landed on the kitchen counter. But she looks right at it. And then at me . And then she pats it,


“good girl!” she says with a sly smile and looks up at Jörn 


She mumbles something to him in Swedish that I cannot even try to make out the sounds but what ever she says makes her giggle as she walks away 

14 March 2023

Film Noir Smörgåsmassa


but you know, I find his wording so odd— ‘I may be guilty of….’


But then ….I think about Josef; why is he asking me about my divorce when—?


A tap on the open door causes us to look to see that Josef is actually standing there now 


“I hate to interrupt but….” Josef puts a tone of emphasis on each word 


Slowly it all begins to come together in my mind and first I look back at Jörn and then at Josef 


“Wait a minute ….the Swedish opera house…. “ I look straight at Josef now, “does the apple not fall far from the tree?”


“Vad?” Josef cocks a frosty, bushy brow at me and pierces me with the ferocity of his Nordic stare and….


what was that before about the Folkmoot? And the image of the dream comes to me with Raoul stood before the big Viking lord/king…. what a strange and cryptically odd thought ….that has popped into my mind at random it seems, 


but often thoughts as such prove to develop a picture in the dark room of reflection 


such as now, I say aloud looking at Josef 


“you’re the director!” 


At first he plays it off with a laugh,

“directing these characters is always a challenge and then of course we have Elsa and when she hits the right note, she breaks glasses!”


“No—you are the Swedish director ….you work for Interpol, I can’t believe I just figured this out!”


“Jörn, did you say you were going to make coffee?”Josef suddenly asks before, directing a cryptic glance at me now says, “I’m so glad Duvan has offered to help you with that. Don’t make your mother and I wait,” the last part he directs at Jörn, “her blood pressure….”


“Since when is coffee the cure for that?” Jörn snaps but repents, “we’ll start the coffee,” and without any warning, takes hold of my wrist as though to do what I did to him before


But Elsa appears and smacks his hand,

“where did you learn this savagery to women? Something you picked up here or sleeping under a metal curtain? You better make that coffee extra black!”

13 March 2023

Electra’s dictionary & film noir(jmmusechron); a stampede of elephants in the room



And so to find myself back in Jörn’s Manhattan bedroom again ….and 


for a moment it seems I swing as a saloon door that is snapped to extreme 


and actually fall against the inside of the door frame as I look again upon it. As. It looks exactly the same. Like no time has passed at all in here


Almost like a vacuum


But no. It is ….I find a comfort. 


That he is ….still who I believe him to be ….because I don’t want him to be …. I can’t even think the thought…. I don’t want him to be anyone but who I know him to be; the spy who carries a cello to the philharmonic and is writing an opera …. about me …. ? ….I walk willing myself not to feel anything. But I go anyway to ….his side of the bed that he sleeps on and touch familiar things he always has there; a random pile of change; passport, random ticket stubs, there’s one for the philharmonic I see…. and touch it…. 


“What is going on Jörn?” I look up at him standing there. As if frozen


but he looks blank

so blank 


“It is like you have disappeared,” I look up at him as he looks at me


“It is something to do with ….a case,” he says


But he stands there so oddly by the door as he stares at me. He stares at me. In that way. Again. What does that mean? He looks so strange 


“So—what is it? Are you in trouble?” I ask him


He turns away. He is clearly tense. Then clears his throat. It seems he is about to say something. But nothing comes out. He walks hesitantly and as if interrupting himself, he stops at the chest of draws that line the wall beside the bed and there he stops to lean against. He folds his arms and presses his thumb to his lower lip staring at a spot on the floor


I feel my mouth go dry. I do not know why, but I feel his chill, feel his ….mood; it sweeps the air like a cold, humid fog and chokes 


“Tell me,” I say but it hardly leaves my throat 


Finally he looks at me, and then with that empty stare shakes his head,

“I ….uh…. I am not at liberty to say the details but, I —may be guilty of a very serious ….thing.”


“‘Thing’…. ” I repeat and wait. 


But he says nothing. 


“You mean—like a war crime?” I ask and ….inwardly flinch as I can hear the note of hysterical rising in my own tone as I ask as I stare at him. But I seem to know; intuition; I  already know. I feel my head become strange and my face seem to go cold 



Electra’s dictionary & film noir/checkmatepawn(JMMuseChron)

…. it has never been a question of what it is about —as far as all of This


And this thought I am split upon as I balance between the plains 

Josef says,

“Elsa is being satirical!” throwing up his hands, “it’s all under control….” But he stops himself and glances at Elsa. He looks back at me, “so, where are you exactly on your divorce from Chris—is it final or in the works?”

I push the chair out and stand up. This is my cue. I walk around behind Josef and straight to Jörn and take him by his lapels without looking. I just reach up as I go, with a glance and ….then I start to drag him that way

I get him about three paces that way with odd coughs and laughs behind me and dragged feet. Until…..

 my fingers are wrenched away

but by then we have made it through towards some privacy as I start for his bedroom

“Now, duva—“

“No, don’t ‘duva’ me—it is amazing to me—amazing Jörn!!!—how you really thought I was not onto you and your odd coverups of saying you are one place but being somewhere else and it gets old so, why am I the target in this scheme, I don’t understand because clearly your lust is for an entertainment —“ I wave my hand vaguely meaning to suggest —the recent elephant in the room. The discrepancy. 

“Where do I really stand in all of this, Jörn—am I just a pawn?”

08 March 2023

the Smörgås Noir scene continues

you know…. as the metallic taste fills my mouth with that dread as I think about it

every time he says that everything is fine, everything is quite boring and normal it is like a tragical comedy that smoke screen may not be meant to fool me actually

I look at Josef as he sits at the head of the table and it suddenly occurs to me that the way the light is at this time of day —it could be a Folkmoot flashback because it hits me with a smack…. 

but glance back at Jörn ….I see him staring at me as I glance his way and it is that look ….right before I catch him I can see it there and 

it catches me to the quick 

 those capers of his

I’m always uneasy when he travels especially on a mission and …. well, I think about so many times he —messaged that everything is normal; it is like a flare gun going off or—a red flag? every time he says that everything is normal not to worry —the sirens blow 


“Before I would agree to anything,” I look at Josef when I say this, “I want full disclosure ….” 

But now I look at Jörn. I say as I look up at him,

“I will not agree to anything until you tell me —everything….” 

and keep my eyes steady on him. I don’t look away. I hardly blink. And I find this time I need to know how far he would push his luck about me; how far

Scene continues/e.d.Noir;demiSexual melt down




….and so in that moment of dazed confusion and slightly stunned 


I eject out of my head sitting there with them and think about ….my grandmother ….then my mother and their instructions in life


Such as, “you could do better,” my mother would say about every boy I brought home 

and for the rest of her short life 

And in this foggy state of surreality ….I think, “well just because I could do better does not mean there is any better out there to be had ….they are all creeps, liars, frauds who fuck with your head for the laugh….there is no point even bothering to look for better, you know?”

So 


I sit there pondering this quite seriously.

…. Because it is so true. They don’t exist. And I think, like  “there is no human.capable.of—of…. fuck, whatever—and besides that they mostly love themself more or their body part to even bother to get their head out of their ass, how could one of those ever fucking get me?”


Why are they looking at me that way….?


Oh god —did I just say all of that out loud?

Deep smörgås noir

 

I cannot turn back; that is to say, I cannot undo where I am, it is where I —am at

so thus surrender, there is nothing else for it…. and the water in the tall glass is held to my face and

for a dumb and long moment it seems I am frozen on the precipice of ….sheer and ridiculous epsilon soundlessness and decide that it is best to just give up to it ….

and drain 

the glass

the dots disappear.but that could be just coincidence 

So there is Josef —what….?no, I don’t wonder as he is at the end of the long table waiting for us with ….a strong sense I get

like a ‘disturbance in the force, ….Luke’

only he smiles at me as I walk into the room and I’m not sure what it is but a surreal sense of Fanny and Alexander 

Only, instead….. Josef comes over to me snd takes a firm grip of my arm as I feel Elsa let me go. And so maybe it is the concussion as I seem to feel so removed from myself. Almost as if I don’t care about any possible consequence anymore 

As though I have really abandoned myself to the will of chaos because ….well, maybe it would do a better job with my life than I have trying to always keep my feet on the ground 


carpet ride is clearly needs must  immediately because there in Josef’s expression is this highly tolerant look of indulgence that appears before he just lightly pushes my arm so that losing my balance I fall into that —convenient seat; flop. Land with an unfortunate sound that carries more humor with the following silence  

“So….” Josef says as if all of us know what is about to happen 

I look around for cues. Andreas sighs with irritation but takes a seat at the other end. Elsa sits near next to me on the left as Josef, with a dramatic flare clears his throat loudly and looks at Jörn. Everyone is looking at Josef looking at Jörn. Which Josef knows. Then he points to s chair as he glares at Jörn 

There is a dramatic sigh from Josef as he rolls his eyes 

“Duvan ….” Josef says as he looks at me

Why do I feel like I am on the edge of s cliff 

“The Svenska Opera House stands s chance of becoming a liquidation …..”  he stares at me with —that note of his son’s kryptonite; now I know where it originated 

“Is that the right word?” Josef looks at Andreas

I look too. Andreas shrugs and appeals to me with a shrug,

“they are saying that they do not want a Swede as a property owner there—basically— is what I get.”

I am further lost. 

I look at Josef. But Josef looks uncomfortable. 

I feel Elsa pat my arm,

“they are trying to say that we are in trouble unless we find an American wife for Jörn.”



26 February 2023

Continued ….

 




but then he says the strangest thing,

“this—was not about—that—has nothing to do with—“ and he inflects his hand in a gesture of ‘you and me’ 


but I don’t look as I start to stand up 


I keep my eyes steady on his face not letting my eyes once drift to his lying hand gestures 


“Nothing has changed between us,” he says


and still I don’t look there. and my eyes get blurry. but I keep my eyes on him even as the blur wells and overflows.down my face.I never even blink and the torture numbs my brain 


“that had nothing to do with—“ ….again the hand gesture


I don’t plan it.

It happens.

I slap his face.

I didn’t know I was going to

 it is a swift slap and hard 


And like a person trained for combat, he moves to slap me back ….I forget whether I get out of his way or he stops in time 


“What is this?!”


It is Elsa who walks in now 

she looks at me and then at Jörn. Then walks to me still staring at Jörn and helps me step away from the counter I have been leaning against from the after affects,


“come….” she says and louder with a tone of command at Jörn, “your father is waiting!” 


21 February 2023

Unconditional terms

Jörn walks to the window and looks out because I have just said those words aloud 

He stands by the window with his arms folded. Then turns his head to look at me,

“you say you believe in unconditional love? What if I did something —that went against yours?”

19 February 2023

 

“I wanted to apologize for being such a beast to you,” Jörn now says to me 


Electra’s dictionary & film noir; the slip on the skirted issue (s)(direction)

 

And it is when I had doubled back to the kitchens 

And so I fell against the wall into a swoon and looked around as—somehow ….

   it was as if I was somewhere else entirely 

….like …. some other time —and I don’t know why ….like jumping off a lift while it is in motion 

I catch my breath …. 

time is only measured in this dimension 

did you know that? it is only because of the plain fact that in this dimension, beings expire because they are organic here 

It is important what we do with our time ….it’s not meant as a joyride and I know most don’t get that 

So I lean against the brick wall of the kitchens and notice a slip of paper on the floor folded in half. I pick it up. 

In her neat familiar handwriting I see my name written —it is a note to me from Ilya ….it must have fallen from the counter and was forgotten about ….so I read ….it seems she thought to give the note to her fiancé to send to me as she lost my private number; as I realize she had made plans to go away; that would have been interrupted by her suddenly going into labor. 

So….I read on—she was asking if I might hire someone temporarily to take care of the museum artifacts and tours as well as the upkeep of the penthouse but….

and then 

I think of another message that recently I have received ….I write about purpose, gender and identity ….and the struggles of ….painful familiar relationships 

in that flash when I felt the weird wind tunnel rush of time I ….had a kind of moment of total clarity ….of course I must be here as it is time to become fully myself 

“Are you all right?” 

I look up and see that Jörn has come back and see by how he looks at me how I am leaned up against the wall 

Jörn….” I say and look up at him




06 February 2023

E.d.Noir/kitchen scene conclusion

 

“What is going on here?” 

It is Jörn in the doorway of the kitchen looking at us.

I stare frozen at him. Why do I feel guilty? I have done nothing wrong. And whatever I’ve done he will find out anyway from Andreas. Still, I feel guilty. Why do I always feel guilty ….for protecting myself….

but —now I stare at him; something about the grey in the shirt he wears and—I don’t know what comes over me. I foolishly have to catch myself on the back of the chair for losing my balance….and hide the way I catch my breath for how he looks ….and in what he wears; skin tight henley, shoulders and muscles…. and looking up, into his eyes and face …..of which I know every line and crease of —as if I put it all there myself ….how still he does this to me….and then 

I am caught and then lost within those eyes of kryptonite

Yet with not much ceremony, he takes hold of my wrist, gives bolts of lightening with his gaze at Andreas and says, 

“coming then?” with his vocal pitch aimed at me, and with a yank, pulls me out the door with him

02 February 2023

from my script notes

 Another scene (pasted straight from notes) (unedited)

   this goes respectively before Elan’s demise 



More Script notes  


Film Noir

Open to an ominous overcast and darkened scene of the beach, the waves crashing with 


The dog is barking 


We go into the hut, enter through the window and see Elan is sat hiding under the table with the bowls, she is huddled in fear and her arms are wrapped around herself as she presses her face into one of the hides, breathing in the familiar scent that still clings to the fibers 


Elan: (whispers) Raoul …. snälla kom hem…. dewch adref [she weeps into the hide]


[the dog comes to comfort her]



The angle moves outside side the hut to the settlement thst is wracked with the storm 


But from the shadows we see Ulf, at first in shadow as he ‘walks’ past an isle between the long houses —he uses a wood stick to hobble awkwardly along, and in the wind, it is clear that only a mad berserk Viking bent on revenge would drag himself for this opportunity 


And as he clears the shadows we see he swings an ax


The lighting is strange 


It is the time of year when the sun does not long go down and as it is what would be the middle of the night the sun has already begun to rise but the storm throws an eerie light with the clouds 


From above the settlement we watch as Ulf crosses to close the distsnce to the hut


Move to inside of hut, close up of Vargi


Vargi: [growls looking up]


Elan: [now reacts to dog and sits up to listen fearfully. She is whispering:] Raoul…. dewch os gwelwch yn dda….[she is whimpering quietly, she is clearly terrified]





Ulf: [shouting in a call near the hut as he approaches] du kan inte gömma dig för mig nu (you cannot hide from me now)


Vargi growls 


Elan gets up and goes to Raoul’s work area. She picks up a wooden shield and a small knife, and a bludgeoning instrument from his work shop; but she is clearly trembling 


Ulf: komma ut!


Elan [gasps] [whispers:] Vargi! 


She slips through an under slot beneath Raoul’s workshop; there is an opening hidden behind a shrub and she hides beneath the shrubs in the muddy, sandy, earth and makes the sound of one who tries to hold back her own whimpering 


We hear the dog barking


Fade out


Fade in 


To same scene, same shot that must be hours later. The storm passed but we see she is exhausted from fear by the way her profile is turned as she stares at nothing and in shock; half asleep in the sand


Pull back


The dog is dead several feet away 


But Elan is still hidden where she is. She does not move 


Fade out


Open same scene and sunny day again


Elan still hidden where she is. It seems as if she is dead 


Pull back to another dog who is seen sniffing nearby and Ulf not far behind hobbling along 


The dog finds Elan’s hiding spot as he clamps with his teeth through her shawl


Elan: 

[With sudden strength born of terror] uses the shield she has been laying on to bash over the dogs head ]


Then goes back into the hut, not knowing where to go


Instinctively goes to the workshop and picks up the biggest sword lying around as she stands watching st the hut door 


We hear the scrape of Ulf’s hobble and stick as the sound approaches 


  


  darkness evaporates when you let in light 

27 January 2023

Vargi Scene from script notes

Note: This scene was meant to go before the death scene of Elan 


Electra’s dictionary Film Noir Viking Past Life Scene Script Notes


Open to an ominous overcast and darkened scene of the beach, the waves crashing with 


The dog is barking 


We go into the hut, enter through the window and see Elan is sat hiding under the table with the bowls, she is huddled in fear and her arms are wrapped around herself as she presses her face into one of the hides, breathing in the familiar scent that still clings to the fibers 


Elan: (whispers) Raoul …. snälla kom hem…. dewch adref [she weeps into the hide]


[the dog comes to comfort her]



The angle moves outside side the hut to the settlement thst is wracked with the storm 


But from the shadows we see Ulf, at first in shadow as he ‘walks’ past an isle between the long houses —he uses a wood stick to hobble awkwardly along, and in the wind, it is clear that only a mad berserk Viking bent on revenge would drag himself for this opportunity 


And as he clears the shadows we see he swings an ax


The lighting is strange 


It is the time of year when the sun does not long go down and as it is what would be the middle of the night the sun has already begun to rise but the storm throws an eerie light with the clouds 


From above the settlement we watch as Ulf crosses to close the distsnce to the hut


Move to inside of hut, close up of Vargi


Vargi: [growls looking up]


Elan: [now reacts to dog and sits up to listen fearfully. She is whispering:] Raoul…. dewch os gwelwch yn dda….[she is whimpering quietly, she is clearly terrified]





Ulf: [shouting in a call near the hut as he approaches] du kan inte gömma dig för mig nu (you cannot hide from me now)


Vargi growls 


Elan gets up and goes to Raoul’s work area. She picks up a wooden shield and a small knife, and a bludgeoning instrument from his work shop; but she is clearly trembling 


Ulf: komma ut!


Elan [gasps] [whispers:] Vargi! 


She slips through an under slot beneath Raoul’s workshop; there is an opening hidden behind a shrub and she hides beneath the shrubs in the muddy, sandy, earth and makes the sound of one who tries to hold back her own whimpering 


We hear the dog barking


Fade out


Fade in 


To same scene, same shot that must be hours later. The storm passed but we see she is exhausted from fear by the way her profile is turned as she stares at nothing and in shock; half asleep in the sand


Pull back


The dog is dead several feet away 


But Elan is still hidden where she is. She does not move 


Fade out


Open same scene and sunny day again


Elan still hidden where she is. It seems as if she is dead 


Pull back to another dog who is seen sniffing nearby and Ulf not far behind hobbling along 


The dog finds Elan’s hiding spot as he clamps with his teeth through her shawl


Elan: 

[With sudden strength born of terror] uses the shield she has been laying on to bash over the dogs head ]


Then goes back into the hut, not knowing where to go


Instinctively goes to the workshop and picks up the biggest sword lying around as she stands watching st the hut door 


We hear the scrape of Ulf’s hobble and stick as the sound approaches 


  


23 January 2023

Electra’s dictionary & film noir/Current day/Some more ännu mer rörig smörgås(jmmusechroncont)


I have come to honor the knowledge of—in order to move forward, it’s necessary to recognize where you have been 


which is why I pace myself 


like those celves ….. we step away ….maybe it is from the scene I knew from Peter Pan as a child; how the shadow came apart from his body —


you put it in a drawer all neatly folded. bury under socks 


close the drawer 

****&I am in the penthouse staring out….

What does Jörn mean to me? and that Manhattan skyline from the view of the penthouse ….watching cars and people like little ants 


“Are you coming?” Jörn catches me on my way back towards the kitchens 


“I need to do something first,” I say and after he leaves I glance back into the outer hall and I see  the usual suspects of two more smörgås Viking shadows just by the bend of the emergency door 


I grab hold of the sleeve of Andreas’ jacket 


“wait!” and I give a good yank 


“Whoa skit!!! fan!!! You are stronger than you appear!” he says to me as I pull him with me back to the first kitchen 


“So what is going on?”

“I swear I am not a part of this whole scheme!” he says in his defense 


“Oh, so there is a scheme!?” I say and push him into the kitchen chair that parallels the floor to ceiling window exposing a view of Central Park  


“I—as….fy….jävlar….” he sighs in defeat “….didn’t say that….” he looks out the window 


“Listen….about your dad…. it is not that I don’t care or don’t love him, it is that I don’t know if I know who he really is because he shares so little of himself. And—it feels like …. Andreas, clearly, he is hiding so much! —that I swear!! I mean— I start to imagine his secret lives—I imagine he has kids with someone else or more than just one someone else…. how many or how meaningful are they to him—or am I …even?you see? I dont even know …. not just maybe he’s had secret marriages but what is he really hiding? Inside? Why won’t he be …. real….with me—he should know I am worth the risk by now but….” I look at Andreas and let go of his arm, “I’m sorry,” I say and take a breath and sit down, “I don’t like how it makes me feel. To put my faith in a person who keeps his whole life a secret from me …. I feel extremely insignificant to him…. or, at best, a kind of affliction he must slack when the mood comes over him—“


“He’s written an opera for you!”


“Gosh! ….you sound like your father!” I say and cover my face “you miss the subtle point…. where is he when I need him—the day to day?—the small moments of ….being connected, of trusting ….our shared comfortable silences that only comes from shared moments and time; learned; shared; time ….but what will happen when his game of musical chairs runs out of seats and all he has left is a cache of meaningless sex toys that no longer give him a rise? And he’s left with the last bimbo or whom ever —was dumb enough to take all the insults….and nobody really worth his time.”


“First of all, I don’t think he is married to more than one person,”Andreas laughs 


“Oh are you sure? I’d not put it past him. He has a sex toy in every port ….I would bet,” I say as I sit back in the bistro chair and look out at the view and shrug, “but do you know what? I know ….he knows I am capable of knowing ….there is a deeper side to him ….and it is —I —guess he never got over his crutch…. they enable him in his fog —and he treats everyone the way he believes he was wronged by—who was she again?—he told me once—oh, I don’t know—but—so it’s easier to continue blind. I don’t know what I mean to him. I am not really even sure I mean anything to him. A passing curiosity. So I’d rather invest my faith in what I know and that is, nobody owns me, I don’t need anyone. I belong to me.” And after a breath I say, “I was never special to my father. Or my mother either. I was invisible to them. Sometimes I was not even sure I was there or existed…. I’ve been chasing a mirage, you see? To win that from some elusive ….Agamemnon…. to be that to him.Silly how things haunt you forever.”


“Well, all I know is,” Andreas pushes his chair back and stands up, “he’s not married to two people—or at least I can say; my mother is not one of them….”


He stands there and looks at me.


“What?” I say


“No.”


“Since when?”


“Since never,” he says and with his father’s eyes he looks me straight in the eyes.


“But no—I mean, when she came— back in the Adirondaks and your grandmother was there and—“


“It’s been a stupid family joke—or I should say ‘lie’ ….”Andreas laughs, “nobody in Sweden gets married really these days so it doesn’t come up but—I guess once my grandmother made a big deal about it but…. my mother refused so they ….had a pretend ceremony to please my grandmother ….but I realized about a year ago that she knows it’s a lie but we are all forced to play her silly pretend family lie.”


It takes a long stunned moment to fully grasp what he has said 


I sit back down. 


 

21 January 2023

Film Noir Script scene notes continues: Lobby scene/getting mail

 




Camera shot of the apartment lobby 


On left are the lifts/elevator 


Behind camera would where mail boxes are


Directly ahead 12:00 is a desk reception 


To the right and facing lifts is the main entrance 


We are looking down from above  but not high up at ceiling just high enough to see tops of heads 



I spoke to an old friend of mine—Gerald from my bookstore days. He became a scholar but he was always an odd mix of science and metaphysics. He believes in the works of Edgar Casey and things of this nature


He calls me out of the blue today to say,

“I had a dream about you and thought I should tell you about it....”


He goes on to say,

“I saw him in the dream—you say his name is Jörn?”


But he says,

“you have unfinished business you two, that’s why he’s in your life.”



The lift door opens


and as this happens, Electra is facing out into the lobby 


Jörn is seen by her now for the first time


He is on his way towards where the lift is but the penthouse uses a different lift than the rest of the inhabitants of the apartment building’s residences 


He is on his way to one and in the moment as her lift door opens they are for the first time face to face


This should be a dramatic moment


As he would not have expected her in that moment, for one second, we see he is taken off guard


Jörn looks at Electra. His expression would be a bit stunned to see her just then, not quite prepared for it


Electra would miss his initial reaction as he sees her first. He is able to cover his look of surprise before she sees it. 


As soon as he covers the expression is when she looks up


His expression is intentionally put on to seem annoyed or bored by her and her friend’s appearance which she may interpret as a kind of insulting rebuff, so, Jörn might appear as condescending at the moment 


This may not have been his original intention but the quickest he was able to do as he is clearly a bit shaken by her appearance —which is only revealed by the manner in which he grips the handle of his cello case and accidentally bumps into someone


But all Electra catches is his unintended but insulting look which confuses her as she seems also quite shaken by something about him, presumably his physical appearance which we only know once he walks past to reach the other lift


So we see her turn to look at him, as she and Gerald leave their lift


And to emphasize this, Gerald is seen looking first oddly at Electra and then towards whom she stares at


Gerald: Electra!


[now Electra walks right into an obvious marble column]


Electra: ouch! [hurts herself on the column from her encounter and impact]


Jörn happens to see her do this but his expression is still in a kind of dazed stare


The stare is enigmatic and hard to interpret why even as we, the audience have our own suspicion 


But Gerald catches Jörn’s expression noticing something about Jörn’s stare, before he glances curiously back at Electra


Gerald: do you recognize him from somewhere?


Electra: who?


Gerald: the guy with the cello


[they are on their way out and heading out towards the door to the street]


Electra: that stuck up guy? Did you see that condescending look he gave me?


As they leave the building, the expression Gerald has as he looks at Electra, walking out the door, strongly suggests that the look he saw Jörn give her was not how she called it at all which seems to make him wonder about why she is so upset by this as he hides almost a smile to alert the audience Gerald has picked up on her/their ‘energy’



Fade out this image of them leaving the door to the street


Open to same shot from interior as we now see, daylight trickles through the lobby windows as Jörn is seen walking in from outside with his cello


Camera angle now moves to the wall on the left where all the post boxes are


We now see Electra retrieving the mail and looking at the envelopes


Close up of business addressed envelopes, some bills, and things about the museum as envelopes addressed this way: Ethan Rhys-Jones Museum


She goes through the mail over and over looking for something. We see she is on the phone


Electra: no, the bank card isn’t here, and my other doesn’t work here so—it still hasn’t arrived, Gerald


We see Jörn watching her as he walks in the direction of the mailboxes and waits for her to end the call as he watches her with clear interest and clear intention he is about to approach her


his detail are much more clear


Impeccably dressed in the formal attire of a concert musician with black suit and jacket, etc. but other details reveal a much higher caliber of material detail. Shoes, watch (platinum—not designer as later it will be revealed this is his own design and make), his grooming is also perfect. His blonde hair is longish to reach a neat pony tail, tastefully pulled back, professional highlights in his hair, not in a gay manner, this should be more his own vanity and personality; even his nails air neatly manicured. There is a strong sense he could be deadly by his expression and his muscular build that is camouflaged under the black suit and black trench coat he wears over the suit


This should be a scene lit like an old black and white Film Noir; sharp shadows, more or less looking black and white for affect; for mood; the tones shift as the scene would allow it to influence the mood of the intrigue 


she concludes her call with Gerald 


she reaches to get her bag off her shoulder to put both her phone and the mail away, she then is seen from the side as Jörn is about to approach


She stands frozen as she recognizes him from earlier scene


He walks over but now his expression is friendly as he starts to approach her


This throws her off as she seems to go from wanting to head away from him to go to the penthouse lift until she sees his expression, so she stops and nervously waits for him to approach


Jörn: Electra? —American, right? 


Electra: [looks up and waits]


He looks at the mailbox she just closed and touches the number


Jörn: your postal box is right next to mine— I keep getting your mail— I have it upstairs ….


Electra: oh! 


Jörn: [takes out a fancy pen and a small notepad in a case. We watch him write down his name— Jörn Milstrom— he writes his flat number: 812 and tears it off then hands it to her] I can’t get to the penthouse so why don’t you come by when it is convenient to pick up your mail?

















I don’t need you to be tough, I need you to be true 

Film noir scene ‘Script Notes’ continued

 


Again—forgive the crudity and obvious crazy errors, I was sleep deprived from terror during the writing but I was constantly writing there just to stay alive (I have downplayed the events from last year for legal reasons) so even spelling my own name was confusing at times for me up until about March of 2022


Film noted continued/Scene 

Scene opens:

What should appear quite obvious is that the layout of Jörn’s flat looks like how it looked in the hut. The places Jörn has chosen to place things. He has a wood burning stove in his flat that is in the exact place where the forge was in the hut. As this is the living room, the place where there is a kind of scandi style couch which would be facing the window that would have a view of Stockholm over the water. The couch has a shaggy white hide across it. Here we should zoom in. And as the camera moves to zoom on the hide, Electra too is in the frame as she too curiously hypnotized by the hide. Here there will be a quick flash of Elan holding the hide to her face to inhale the scent of Roal. 


At this moment, Electra shudders 


Then shrugs it off in the obvious way


She walks around and the camera pulls back as we see her casually circle back in the direction of where we see Jörn standing 



It is an open plan kitchen. Everything is white, immaculate or of a natural, pale wood tone, 


Electra walks around and seems mesmerized by the layout of the flat. She is oddly somehow drawn to stare




Jörn smiles looking up from making coffee using a French press, he shrugs casually and pours the coffee 




Jörn: Oh the quiet? I had all the walls soundproof insulated because of my playing...I did it when I first got the place


Electra: Really?—so you can play as loud as you want all hours of the night if you feel like it?


Jörn: Yes. And do. That is why I did that. Sometimes in the middle of the night.... when I cannot sleep....[he shrugs]I always have been this way. I did it last night when you were asleep, did you hear?


OVERVOICE of Electra: I think as he watches me.... but it was a dream.... I thought


Jörn: It was one the things my wife could not stand about me 


OVERVOICE: [ whispers this] he smiles like a lecherous vampire; the kind that wraps you in and keeps you willingly there.




Up to here^has been put in script








“Wait....” I say, “I heard you at the piano....? Or was that part of....” but then I remember my dream suddenly.... because it was so strange. I remember music.


I’ve used this part now:


[[[[.... I remember it was like some Bela Lugosi scene only —it was some place outside ....with the moon. It was such a strange dream. Yes, it was an early or ....late sky; a pale light ....outside—somewhere....cold with snow and something else that was odd. A fire pit of some kind. Like a kind of forge. And everything was gray. The sky and the frozen ground.... all the same]]]]


This makes me shudder now


He’s watching me in a strange way. He turns his head to look down at me and studies me, his head to one side,

“does my playing disturb your sleep?” 


Have used the part in script now


[[[His question baffles me. I almost don’t comprehend his words. It seems almost like another language. And it is as if instead I heard him say something else —that makes no sense.... I try almost to hear —that instead.... ]]]]]


he hands me coffee


And as I take the coffee....I know. It feels....like a flashback —I take it from him.... and our hands briefly touch.... yes it feels— like we have done this so many times before


The fire pit....]]]






I look up at him now and remember the question,

“no.... it does not disturb....” I say this even as a warm shudder rushes through me


I think too of last night with him.... and how sometimes in sleep....we join.... it happens in sleep....it’s happened before—and it seems to mix with dreams. And scenes of memories like a movie I don’t know why I see. But he feels, every time, more and more ....like part of ....my self; part of a subconsciousness; shared....


Does his playing disturb....?





Yes, I remember him getting up in the night and watching his shadows on the wall. As if I expected him to....












You look like your father, I see that as ....I’ve been looking things up about him....”





“What did you mean the other day when you told me that I looked familiar to you when you first saw me?”


He tries to find words. I watch him draw his brows together and he begins to smile but it’s an awkward smile, he shrugs,


“like from a dream. Or a story.... that feels more like an old memory—blurry but real....and it is only real because of the strange emotions—emotions....? Is that what I mean....?” he looks into my eyes again and still holds my face in his hands and shakes his head,”I knew what your voice would sound like before you even spoke— at first I was going to ignore how curious it made me—but then I saw you again and.... this time your eyes briefly met me—“


I suddenly remember this now. It was a day with Nigel.... the day with Eliot.... I only saw Jörn in passing as we were in the lobby and he stepped out of the elevator. He seemed to be laughing to himself as he looked over at us and I remember feeling almost insulted by his expression of superior disdain and wondering what it meant. And why it bothered me


We both are at that moment together right now as we both think of this day in the lobby


I remember how my heart jolted when I saw him—and it was irrational to me ....I remember thinking. And strange too I was attracted to his insulting grin as he stared at me with those pirate’s undead eyes that burned like sparks of lightning.


He says now to me,

“I was reading the part again in your blog—the entry about when you had been approached by an investigator back in The Hague—and something about that really sticks out in my mind....”


“Why?” I ask why ....but I am really wondering how far back he has read. So many of my entries are meant to just analyze through streams of consciousness; so I find myself quite disconcerted


“Because —you said you had something happen to you.... some mystery about how your arm became suddenly paralyzed....?”


It is how he says this that makes me shudder now but I nod.


“Your legal father—“ but he stops himself when he sees me shudder again. He is analyzing my expression far closer than makes me feel comfortable. Instead he says, “he traveled for his business— did you say that one day he left suddenly on a mysterious business trip after —“


I interrupt him,

“the blood test —yes. I know what you’re thinking....”


Jörn sighs,

“your father’s business had to have been a cover operative and things don’t make sense about what happened after your return to the US. Why your assault was never reported and you were never taken to see a doctor....”


I pull away, I go to sit at the table and set down the coffee cup.


I don’t like these things about my past. I hate remembering them. I cover my face inside my hands. Close my eyes.


At first I feel him just watch me for awhile. After a couple of minutes he sits down too across from me at the table


“So you think you are piecing together clues,” I say now. “What is that about? Do you think there’s an old Cold War political plot?” I force a laugh


“No, min lilla duva, I think that your legal father was trying to have you murdered— what was the cause of the paralysis? Did they ever discover the reason? Some kind of virus was it? But then the doctor discovered you had a spinal injury from childhood....”


“Jörn—even if there is some kind of mystery there, do you really think it has any baring on the present?” I ask


“You say you are interested in learning about the purpose of each of our lives; existentialism; purpose and Truth; what your project you say is all about,” he continues holding me caught in his accuracy, “your blog ....you as you write you are delving through and searching for purposes of ones meaning or the significance of an individual’s individual identity.... why these differences in all of us have purpose—isn’t that what you said the other night?”


....the champagne on New Years.... I forgot about this conversation—evidently I became philosophical about myself and isn’t that always awkward the next day?


“The only way to look at truth, my tragic Electra, is by acknowledging the whole truth about who you are—do you understand the necessity of acknowledgement? Otherwise you are not really wholly conscious, are you? So how can any personal discovery hold merit as a Truth?”


“Ok—yes,” I hear his words but he misses something else, “how do I do that now when these crimes are too late to be put to justice—for this purpose of acknowledgment??”


“But is that not the whole purpose of your ‘dictionary’—defining, you are defining, yes? That is your proof that you search for. The one that gives you permission. You are caught in your own shackles and will run out of air unless you give the mermaid back her voice.”


“Only there is no way I can tell my story..... not here. Not in this country. You understand that don’t you? I mean why.... why I still have to keep my real identity secret.”


He does not respond right away but seems instead to search my face before he says,

“you are an artist haunted by a past and the only way to be released is through your work expression. Your work is necessary not for commercial success so much as the need to express this as an artist’s right for existence. The irony of notoriety and the need to be recognized....” he chuckles like it is a personal inside joke. He shrugs, “you need to get this out.....maybe you should do it in Stockholm....” then says in his language, as if only for himself:


“gör en svensk film. Det skulle vara en psykologisk thriller. Kallar det en modern Electra. Vad sägs om en ordlista på svenska? Kalla det konst.”


Only I don’t know what he is saying only that I sense ....as I always have: language is a good place to hide


a dictionary



4 January 2019 Dear Me, notes to a stranger


When I open my mouth to speak no sound is heard


People say ‘you can never really run away...’ or ‘you can never go home again...’


Maybe this is why I am lost


I search for identity. I search for myself .... only I am not really looking for myself


not exactly


It is meaning I search for. As in....regards to purpose. As in the individual’s purpose. So in searching for ‘myself’ it is more that I am searching for a personal brand of purpose as relevant meaning ....for some greater whole; universe.


Does that mean I am some kind of zealot? That I am deluded in thinking that there is any purpose for our universe? Any purpose to our universe?


The universal consciousness....  well, I don’t really care if anyone considers me deluded this way. For me, it is more necessary to search for this Essential Truth


Whether I make sense to anyone.... I have only become tired of searching for proof


Because I cannot quit myself, can I? I cannot escape my own thoughts. I have done exercises where I change my way of thinking or changed my narrow opinions of some matters I fall into being blind about as I know I am not perfect.... I do know that—but after sifting through the debris of my mind over years of discussion with all walks of life, studies through research and my own travels which this last few years I have done a lot of



....well, I have found that one cannot escape oneself nor one’s essential truths


They just haunt you


And chase you down..... to be true to the Self is .... the actual teacher. It is so easy to believe that the Self are the negative criticisms you find yourself guilty of


I call my alter ego Electra


Because at the center of my madness


....yes my madness..... because I realize that this chaos I live within is a kind of madness


I cannot live without my madness.... you see, the center is my father’s rejection of me from my earliest life memory. It devastated me as a child


It influenced my understanding of my own importance to the opposite gender. It was like having been told my own gender was not acceptably up to my father’s standards.... it’s an innate sense all the way inside of my own personal self value. I did not adequately measure up to my father, in my mind and so I felt emasculated of my feminine gender


and to compound this was the Oedipal secret that I am unable to speak of


Except here


through suggestion. The riddles. The themes. The themes.... which are the hints of codes to follow


It is a dictionary I write. A dictionary that lists my versions of meanings of words. My invented codes that let me hide my clues kept only for me.


Or the very very clever


I dare you


It is such a heavy .....shame—so Electra bears it


As I run away from Chris, my estranged husband to people that reflect with fun house mirrors warped reflections back to me


“Mirrors should reflect before throwing back images,” Cocteau said, and forgive me for loosely quoting him this way.... he also said, “there is nothing worse to a poet to be admired through being misunderstood....” his tragedy of a poet



I did not feel seen by Chris. I felt invisible to him. I don’t know why unless it was that I felt he did not hear ....what my heart was asking him for


It was to be acknowledged and to have this reinforced by expressing to me his acceptance —for all that I am.


To heal the rejection


It was wrong to need this from him. I suppose. But it was what I needed


You cannot run away from your essential self. This I have found. Even if I have tried the Pavlov conditioning to convince myself that my sense of gender is good enough for the opposite gender for which I long for.... I will never believe it


Electra’s dictionary is code for Oedipal’s dictionary, as in accordance with Heraclitus


When I look up at Jörn I see he has been reading this.....


He says,




“Your voice is lost here.... but maybe it’s the language.”


20 January 2023

The Script continues; scene: How the modern spy story opens in the script


A quick long shot view of Jörn from above leaving the New York philharmonic carrying a cello and dressed in musician formal performing attire 


Fade out


Fade in


Outside the Manhattan apartment building where Electra’s late father’s penthouse is 



Next image: streams of sunlight make horizontal patterns of shadows and sunlight that come from the horizontal blinds (symbolic)


This should look like a 1940’s s looking interior of an private office; film noir-ish as if Humphrey Bogart is about to show up. Almost like a retro Private Eye Investigator style . All surfaces are immaculately kept, uncluttered. Only basics, nothing personal is seen out anywhere no phots, no family mementos 


The cameras first shot The decor of the room.   is to set the mood of current day’s mood of the film; drawing on tongue in cheek poke at Scandi-noir while also using style film noir for poetic license for storyline and heavy use of black and white


Streamline furniture; leathers, wood, masculine; black, brown tones. Dark tones, lush wood, highly polished and immaculate highly polished, 1940s style desk, dark wood, highly polished1940s leather chairs; 1940s style desk lamp




The cameras first shot of the horizontal lights coming through blinds , pulls back and softens as it , pulls back to scope the emaculate office, touching on beautiful damask black wallpaper , brown wainscot, square lampshades , 


Next the camera moves to the highly polished desk


Now we see details. On the desk in a neat pile are dossiers of people, stapled and paper clipped with small ID photos in left corner

We now see the hands of the offices inhabitant; well manicured, clean hands that would belong to a musician as his hands are now seen going through the dossier files. The names and characters depict various types of looking people from multiple countries; all ethic and racial groups, but including Russian, German, Israeli, Muslim, etc.


In the manner in which he is going through the files, he clearly appears to be searching for something/someone by how quickly he is searching




He pulls out one of the dossiers but the camera instead pulls back all the way, until we see the full length left profile of him, looking intently down at it as he holds the papers in his hand to closely read the dossier holding it in his right hand 


And only now we realize he is on a call, as he is holding his phone with his left hand


Jörn: I’ve transferred back from Stockholm. Just arrived…. Yes i saw the intel…. We think Al-Qaeda …. I have rehearsal tonight at the symphony, it will have to be tomorrow 


Camera now goes from his left profile, moves to face him full view with office window behind him. And as this happens he turns left to look out the window through the blinds as we see him in profile, looking outside


Voice of Agent with Dutch accent speaks; voice only: and why the interest in my girl


Jörn: i think she has the code (close up of his eyes from the side as he is looking out the window, as he pulls down the planks of the blinds through narrowed eyes, pulling two blinds down, to thoughtfully look down at the street below; a side street outside a Stockholm apartment building)


Dutch Agent: if she does —you are the only one who can get it from her


Close up now of a Letterhead on desk, on a sheet of stationary above printed letter; this pulled out but only now is it visible to us; it is an insignia; it is a form of his initials but look shockingly like the Vikings markings in earlier shot/death scene. 




Jörn turns from window now and goes back to desk and pulls out another dossier from the stack which we had not previously seen —it is in a different kind of folder, minilla, and creases from years, and packed with files and papers, here now close of of old photos. There is a picture of a young 14 aged Electra with her mother on a boat in the Netherlands It is of a female who is our character ‘Electra’ the narrater and author of the film series


We see him looking slowly through all the photos, stopping at some to pause and brood over


Jörn: do we know where she is located these days? She moves around a lot



Willem: she has been at ten different addresses in five years ….I would narrow it down to somewhere in the US


Jörn: well, that is unfortunate ….


Black out here


Open to scene in black and white with hints of washed out color, overlay artwork of caricature of Electra in authors drawing


As the image shifts back to live, real life image, we see Electra in exact same pose in a Starbucks, “anywhere USA” and as the image transfers to real life, the camera moves smoothly around from allowing a clear view of her face, as the camera angle moves behind Electra


So now we see, she sits at thecoffee shop at a table. She has her iPad in front of her and is using as we close in on this angle


We see she is looking things up on Google